My work explores the intersection of human experience and digital creation.
Guided by the fundamentals of design and grounded in empathy, I treat every
project as an artistic composition — focusing on experiences that resonate
on a human level.
I believe genuine connection is the most powerful thing design can create,
and I carry that belief into everything I make. As technology continues to
evolve, the need for that connection becomes even more important.
Full-pipeline 3D production — from concept to photorealistic render
A concept resort based on Mt. Robson, BC. Encompassed all structural and landscaping concepts alongside a full suite of marketing materials — renders, brochures, and brand identity.
Real-world commercial redevelopment transforming an unused grocery store and retail strip into a modernized mixed-use development. Renders produced at the development permit phase.
Conceptual interior redesign of Lethbridge College's welding space into a modern two-floor learning environment. Built from original blueprints in Revit with classrooms, lounges, materials library, and study areas.
Full residential concept built from real lot data — demographics, traffic, architectural controls, and buyer profiling informing the design. Delivered as a polished concept board with hand-drawn elements, floor plans, and branded marketing materials.
Major exterior overhaul and interior bay update for an existing commercial development. Produced at the development permit phase for TrueFit Architecture, communicating the full scope of the redesign to municipal reviewers.
Architectural walkthroughs, cinematic sequences & motion design
Every mark is a story — intentional, symbolic, and designed to last
Mountain peaks integrated into the letterform. Oversized editorial S with luxury serif creates a resort identity grounded in the BC Rockies.
Hexagonal crest mirrors the roofline geometry of the condominium. Setting moon over mountain with MH initials in a Hatolie font monogram.
Art Deco ornamental framing around Brooklyn Makayla script. City skyline anchors the name — double border designed to animate as a phasing sequence.
Victorian filigree honours the building's industrial heritage. Steam locomotive represents the station's origin; Eastwood font grounds it historically.
A cabin under crescent moon and stars — the mark of a studio that finds its creative energy after dark. Circular badge keeps it versatile.
Student → Tutor → Instructor — a full-circle academic journey
Secondary education — the foundation for a career driven by creativity and spatial thinking.
A rigorous two-year program covering 3D modeling, architectural visualization, animation production, interior design, and BIM. Graduated with Honours with Great Distinction every semester.
A professional development program building expertise in pedagogy, curriculum design, and evidence-based teaching practice for post-secondary instructors.
After graduating with the highest academic standing in my convocation class, I was hired back into the School of Spatial Design Technologies — first as Instructor Assistant, then as a full Course Instructor for four courses in the Architectural Animation Technology program. I redesigned each course from the ground up, building lecture structures, assessments, and learning frameworks informed by industry needs and my own experience as a former student.
My work explores the intersection of human experience and digital creation. Guided by the fundamentals of design and grounded in empathy, I treat every project as an artistic composition — focusing on experiences that resonate on a human level.
I believe genuine connection is the most powerful thing design can create, and I carry that belief into everything I make.